mark fell

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installation, exhibition, screening, performance.

Mark Fell. 64 Beautiful Phase Violations. Installation view BALTIC 39. Courtesy the artist and BALTIC Centre for Contemporary Art. Photo: Colin Davison





2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

  • arches of frost music for a dance by orjan andersson, Compania national de Danze at Teatro de la Zarzuela (madrid)
  • vibration white finger, b!as festival of sound arts, taipei fine arts museum (taipei).
  • absolute 5 with ernest edmonds, acmi (melbourne)
  • absolute 4.5, beta space the powerhouse museum (sydney)
  • you are here with george saxon, sightsonic (york)
  • port hacking #4, el sonido de la velocidad at centre de cultura contemporania de barcelona (barcelona) short recorded exerpt of work made during a residency at UTS in sydney.
  • w+w, generative film, salon (tokyo).
  • untitled 1, with ernest edmonds shown at graphite (singapore).
  • untitled 2, with ernest edmonds shown at siggraph (la).
  • vibration white finger, screened: graf media gm (osaka), mediatheque (sendai), center for arts and media (yamaguchi), laforet museum harajuku (tokyo).
  • tshirt for salon magazine, tokyo.

2004

  • works included in "Australian Concrete Constructive Art", with ernest edmonds, Conny Dietzschold Gallery (Sydney)
  • sonographia performance work with yasunao tone, location one (new york)
  • port hacking #4 time based av "sonar festival of advanced music and multimedia" (barcelona).
  • wxw live sound and 2 screen performance work shown at "ultrasound" (huddersfield).
  • untitled work for sensor+16mm with yasunao tone (york).
  • sonographia work for projection and graphics tablet with yasunao tone (york).
  • elsewhere performance with jez potter millenium galleries (sheffield).
  • untitled 2 screen generative video work with ernest edmonds millenium galleries (sheffield)
  • coming of age in south yorkshire performance with 2 screens shown at "earrational festival" (den bosch).

2003

  • port hacking #1:4 interactive sound and image performance with ernest edmonds "sparks" opening of creativty and cognition studios (sydney).
  • dirty protest interactive work for light sensors made during residency at hong kong national film archive, "videotage/microwave" festival (hong kong).
  • hikari no mandala interactive sound and light with mat steel and haruo ishii, commissioned by "sightsonic digital arts festival" (york).

2002

  • firecircle2 sound design for a public installation work with harou ishi shown at "media select" (nagoya).
  • living without a water feature interactive work with george saxon shown at loughborough school of art and design gallery (loughborough).
  • untitled work with softboard and hyrogliphics collabouration with yasunao tone shown at "creativity and cognition research studios" (loughborough).
  • graphic works idea - international journal of graphic art japan 2002.

2001

  • early reflection interactive networked installation commissioned by david corbett exhibited at hull time based arts (hull).
  • mumcode generative work made with robert baker, no public showing (sheffield)
  • nightstrings pt.2 interactive light/sound installation with lightsensors, shown "national centre popular music" as part of lovebytes (sheffield).

2000

  • nightstrings pt.1 interactive light/sound installation with light sensors, shown at "isea2000" at the batorar light house boat (paris).
  • projected game v.2? interactive installation with floor pads and floor projection shown at graves art gallery (sheffield).
  • post-linear studies 291 gallery (london).

1998

  • remote systems interactive sound work commisioned by lovebytes as part of the year of photographic image. exhibited at ponds forge leisure centre (sheffield).

1997

  • atrium sound installation shown as part of "elastic frontiers" (sheffield).
  • non axiomatic living room speakeasy (sheffield).

1996

  • non axiomatic living room (with jez potter). regular saturday night radio show, broadcasting experimental electronica. (sheffield)




© mark fell, modified October 12, 2014, at 04:17 PM edit print